Thailand Footprint: The People, Things, Literature, and Music of Thailand and the Region

Posts by Kevin Cummings

(Reblog) A good review of, The Dying Beach by Australian author, Angela Savage. Set in Thailand; it is the third in the Jayne Keeney series. We hope to interview Angela and her partner in crime fiction, Andrew Nette, author of Ghost Money, which is set in Cambodia, soon at Thailand Footprint

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Angela Savage, The dying beach Courtesy: Text Publishing

When I received Angela Savage’s novel The dying beach out of the blue last year as a review copy, I didn’t put it high in my list of reading priorities. I had – and still have – a pile of books waiting patiently, and I rarely (never say never) read crime novels. However, two things changed my mind. One is that Christos Tsiolkas dedicated Barracuda to Savage, and the other is that this year, for the first time, I will visit Thailand, which is the novel’s setting. So, I read it!

The dying beach is apparently Savage’s third Jayne Keeney novel. Jayne is a Private Investigator, an expat Australian living in Bangkok. Like many female PIs, she’s gutsy, hard-living, resourceful, somewhat of an outsider, and rather inclined to bristle if her independence is questioned. (Perhaps this latter is not confined to female PIs, but can be said…

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Facebook, Facebook, Facebook. I spend too much time on it, chances are, you do too. Why? In my case I have a self employed business that puts me in front of a computer screen more often than I would like in a year where I will turn the big 6-0. That and I will place a little blame on my Google Nexus phone. So I look at it as a reprieve from more tedious duties. When I worked two summers at a co-working environment in California about five-six-years ago it was among 200 or so high-tech techies, way smarter than me. So I was somewhat dumbfounded and surprised as I’d cruise around this corporate culture of self employed individuals, with the vibe of a Silicon Valley start-up, to see the Facebook web site on so many computer terminals. I never did that, I was paying for the right to have a cramped work space. I was there to work, not play. I’m not surprised now as I look back on the scene, then.

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But, I like to think I am a glass 1/2 full guy more than the converse so here is my case, my opening and closing argument for Facebook. You are the jury. We’ll add a poll too.

Facebook can change your life. It has changed mine. It was through Facebook that I recognized a last name of one of my two favorite basketball coaches back in High School. I asked him if he was related. He was. My old coach named Chic was a former USF All Star baseball player and was my new Facebook friend’s father. One of my 300+ Facebook friends is Chris. I shared stories with Chris on Facebook messages about his Dad. Among them, one where my coach and his Dad was driving a car with me and my teammates back from a basketball tourney in Yreka, California. It was snowing, the roads were icy. We were slip sliding along. I actually put my seat-belt on in mid-trip, because of the sliding. We fishtailed as a semi-trailer truck came at us in the other direction. It could have been worse. We ended up in a snow bank but the seat belt came in handy. We all had ours on.

Chris and I are pretty good Facebook friends. We share more than a few things in common, including a sense of adventure and a similar sense of humor. He gave me the phone number of his Dad and told Chic that I would call. I didn’t call right away but when I did, he was expecting the call and we had a nice conversation. I had taken a trip to my old home town for the specific purposes of visiting my two former coaches, both of whom were 75 years old at the time. This was September, 15th, 2012. That visit led to my first ever published article in my old hometown newspaper, The Auburn Journal. They put Footprint in the title. You can read that article, if you like, by clicking the picture below:

Kevin Cummings with Placer High School legendary basketball coach, Tom Barry.

Kevin Cummings with Placer High School legendary basketball coach, Tom Barry.

Chris and I shared a special time in a special town, Auburn, California. We both lived a short walk from the Auburn Recreation Center where we both spent countless hours, playing sports, table tennis, swimming, hanging out and having fun. We both played four years of basketball in the best High School Gymnasium west of the Mississippi, The Earl Crabbe Gym.  Decades later we both have taken the road less traveled when compared to many of our old High School friends and mates. Chris runs his own business in Seoul, Korea. I run my internet business much of the time from Bangkok, Thailand. We are friends now, but we have yet to meet. He is welcome here anytime and I know he’d put up with me for at least 72 hours, anyway.  We will meet, I am sure of it. There is an All Years Reunion in Auburn in the summer of 2015. Chris plans to go and so do I.

I met Chris through  Facebook. And a lot of good things happened because of that. Case closed.

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Is Facebook addictive? Yes. Could I spend less time on it. I could. Am I glad I joined in 2009? I am. Did I watch my one minute video, one too many times. Probably.

How about you? Have you got a Facebook friend story that stands out and makes it all worth while? How do you feel about Facebook?

Here is a poll. We’ll run it for four days.

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Henry Miller bonus coverage for March, 2014. An excerpt from Henry Miller: Plexus, Book 2 of Rosy Cruxifiction. One I’ve actually read.

A 1965 advertisement from Grove Press for the Rosy Cruxifiction trilogy

A 1965 advertisement from Grove Press for the Rosy Cruxifiction trilogy

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“When man, with his pitiful sense of relativity, looks through the telescope and marvels at the immensity of creation, he means to confess that he has succeeded in reducing the limitless to the limited. He acquires, as it were, an optic lease on the boundless grandeur of a creation which is unfathomable to him. What matter if he succeed in putting a thousand universes within the focus of his microscopic telescope? The process of enlargement merely enhances the sense of the miniature. But man feels more at home in his little universe, or pretends he does, when he has uncovered what lies beyond its bounds. The thought that his universe may be no bigger than a tiny blood corpuscle entrances him, lulls his desperate anguish. But the use of an artificial eye, no matter to what monstrous proportions it be magnified, never brings him joys. The greater his physical vision…

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If you live in Thailand and/or have an interest in Thailand and you are not among the 10,000 plus people already following Richard Barrow on Facebook then by all means check him out here:

https://www.facebook.com/richardbarrowthailand

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Richard Barrow – As shown on his Facebook page

Richard Barrow has one of only 1/2 dozen Twitter accounts that I find useful, which you can find @RichardBarrow . It is no wonder his Twitter followers exceed 50,000. I don’t re-tweet much, but when I do it is more likely than not from the Twitter account of Richard Barrow.

Richard has another useful site, which I recently discovered called:

Thailand from Above – ภาพมุมสูงของประเทศไทย

It is a Thai-centric web site where Richard explores the Kingdom with his Quadcopter Drone and takes heavenly pictures from above. Here is one such picture that I snatched from Richard’s site found at http://www.thailandfromabove.com

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If that were not enough, Richard is also a blogger’s best friend in Thailand with yet another fine web site called Thailand Voice. If you have a blog about Thailand contact Richard and get listed at Thailand Voice. I did and my traffic improved noticeably. That site can be found at http://www.thailandvoice.com or clicking the banner box below:

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Richard is a travel writer extraordinaire and has three other web sites worth checking out: http://www.RichardBarrow.com and http://www.thaitravelblogs.com  about Thailand. As he succinctly states: “Promoting Thailand online since 1998. This is your number one source for what is happening in Thailand.” The third is http://www.paknam.com , which is “The Largest Collection of Web Sites in English about Thailand.” Richard Barrow gets my nod as the Big Kahuna of Bloggers in Thailand. Google him if you are one of the few who is unaware. You will be glad you did. In times of hate and mean spirited rhetoric, it is good to know the Richard Barrow’s of the world still find a way to enjoy Thailand, share it with us and remain positive, even during these troubling times.

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Father

“Walk across the soi, you’ll save 10 baht.” He said

Seems like a lot of trouble on a street known for the dead

Illusions are flying like bullets and hot air

Children are dying, does anybody care?

What’s it all about? Power and greed

There is no glory in doing the good deed

I hate you. But I hated you first

But I hate you more

But you are the worst

Liars call people lunatics

To try and save face

Everyone has a Plan B

To get out of this place

Burmese Fortune tellers tell a good tale

While Rohingyan refugees face rotting in jail

Is this a farce? Can this be happening now?

Don’t burst my illusions and I won’t burst yours, pal.

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This post may also be seen at Chiang Mai City News by clicking the above banner

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Now hailed as an American classic, Tropic of Cancer, Henry Miller’s masterpiece, was banned as obscene in the USA for twenty-seven years after its first publication in Paris in 1934.

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Barney Rosset, Publisher of Grove Press and Champion of Free Speech

Only a historic court ruling championed by Grove Press publisher, Barney Rosset, which changed American censorship standards, ushering in a new era of freedom and frankness in modern literature, permitted the publication of this first volume of Miller’s famed mixture of memoir and fiction, which chronicles with unapologetic gusto the bawdy adventures of a young expatriate writer, his friends, and the characters they meet in Paris in the 1930s. Tropic of Cancer is now considered, as Norman Mailer said, “one of the ten or twenty great novels of our century.”

“I believe that today more than ever a book should be sought after even if it has only one great page in it. We must search for fragments, splinters, toenails, anything that has ore in it, anything that is capable of resuscitating the body and the soul.” — Henry Miller, TROPIC OF CANCER

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Footprint maker and Muay Ying Champion, Melissa Ray writes an excellent essay of her impressions regarding the new Lumpinee Boxing Stadium in Bangkok, Thailand …

Melissa Ray's avatarMuay Thai on the Brain

Photo by Roman P. Aguila Photo by Roman P. Aguila

When news of the impending closure of Lumpinee Boxing Stadium on Rama IV Road was announced several months ago, Muay Thai fans around the world reeled in dismay.

Granted, the stadium was falling apart at the seams (the roof leaked in heavy rain and a cat famously fell through the ceiling into the ring during a show last year), but it represented a cultural landmark—the scene of some of the greatest fights in Muay Thai history since opening its doors in 1956.

Major General Surakrai Jatumas (Chief of Lumpinee Stadium)
Image source: http://www.awd-rta.com

However, as explained pragmatically by Major General Surakrai Jatumas (Chief of Lumpinee Stadium) in a video by the Bangkok Post, “Lumpinee Boxing Stadium’s land lease contract ended and changes happen.” The construction of a new Lumpinee Boxing Stadium had been underway in the grounds of the Royal Thai Army Sports Centre on…

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JerryHawaii

“I hope I see you today, I’m meeting Jerry Hopkins there at 3:00 p.m.” The message came from, Will Yaryan another former  NorCal resident.  It was all the motivation I needed to get to the Sunday Jazz at CheckInn99 late last year. I had never met Jerry before but I had heard a lot about him, in addition to reading some of his books and knowing about many others. A passage he wrote in one of those books, Bangkok Babylon, had altered the course of many an afternoon and evening for me in Bangkok, Thailand. I wanted to thank him. I grabbed the book as I headed out the door.

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When I arrived at CheckInn99, Dr. Will and Jerry Hopkins were already there, listening to the sounds of William Wait on saxophone, Keith Nolan on keyboards and other talented musicians. Will Yaryan is a former record company public relations man with Atlantic Records. His friendship with Jerry Hopkins goes back 40 years. Will introduced me straight away and I learned Jerry and I have at least one thing in common, which didn’t make the conversation easy but it was always interesting. Jerry and I are both deaf in one ear and the good ears don’t always align well. During a break in the jam session, Keith Nolan joined in on the conversation. The subject was music and everybody there liked it. At one point Keith told me the batteries were dead on his camera and asked me if I would mind taking a picture of him with Jerry, using my camera phone? Done. You can see that picture on Keith’s Facebook page where he adds the words, “Jerry Hopkins – A gracious legend.” I agree with Keith Nolan’s assessment of Jerry Hopkins. What makes a man a legend? That’s a difficult question to answer. For starters Jerry Hopkins published the best selling biographies of Jim Morrison of The Doors, Elvis Presley and Jimi Hendrix. In addition he’s penned biographies for David Bowie, Don Ho, Yoko Ono and almost, Raquel Welch. Hopkins is the author of 40 books, including a definitive book on the Hula. He is also the author of an unpublished work,The History of The Condom. The most recent book I have purchased, written by Jerry Hopkins is, ROMANCING THE EAST: A Literary ODYSSEY from the Heart of Darkness to the River Kwai.  (Tuttle Publishing –  Singapore – 2012). A wonderful read so far, spanning 150 years of literature in Asia and featuring those who have traveled here during that time.

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But it takes more than books to make a legend. He also had two stints as a correspondent for Rolling Stone – once in London and once in L.A. and served as contributing editor for the iconic magazine for 20 years. His stories are legendary and enchanting. On that first day I heard about his time as chief “kook booker” for The Steve Allen Show, where he met Frank Zappa for the first time. About thirty minutes into the conversation I handed Jerry my copy of Bangkok Babylon. Rather than have him sign in the standard place I asked him if he would read a passage on page 16, which had meant so much to me since I first read it almost 10 years ago. He did. And as he did he chuckled, signed the page, still smiling and said, “It’s true. It’s good advice.” The passage reads:

When in Bangkok, do what your mama told you never to do. Talk to a stranger.

Bangkok Babylon

I next saw Jerry Hopkins one week later. It was the evening of Bangkok Night of Noir, Sunday January 5th, 2014. I was at a table that included Collin Piprell, author of Kicking Dogs among many others and a longtime acquaintance of Jerry’s. There was an open chair next to me. Jerry sat down and ordered some food and drink. One of the featured authors for the evening saw Jerry and came over to shake his hand and tell him how pleased he was to see him at the event. “Kevin told me about it last week.” said the man whose books have sold in the millions. I got a kick out of Jerry’s reply on a couple of levels. One, I was glad Jerry remembered my name from a week ago. Two, I couldn’t remember telling him about Night of Noir, although I am sure I did. Jerry may need a hearing aid but his memory, short term and long term, is just fine. If you read Bangkok Babylon, which is about the real-life exploits of Bangkok’s Legendary expatriates, you will learn that Jerry Hopkins likes to have a good time. So I wasn’t completely surprised when at a little after 9:00 p.m. for a scheduled 7:30 p.m. start, Jerry stood up. “You leaving, Jerry?” I asked. “Yea. I hate Filipina cover bands.” And just like that the person who has been described as a real life Forrest Gump, for being in the right place at the right time, went up the tunnel leading to Sukhumvit Road. Unlike the Forrest in the movie, Jerry didn’t seem a little tired and I didn’t think he was going home, now.

Thailand Confidential by Jerry Hopkins

After those two occasions at CheckInn99, I wrote Will Yaryan telling him I’d very much like to interview Jerry and suggested that the three of us get together for a lunch meeting. I wanted Will to come along because I thought it would be fun and suggested a restaurant where we could meet.. Will wrote back: “Jerry says, the food there is no good.” Jerry has appeared on Anthony Bourdain’s popular cooking and travel shows, not once but twice. The first time he was responsible for the footage that shows Tony on the second floor of Nana Plaza as the show’s credits roll. The second time Tony and Jerry pull up to a restaurant in a longboat  – again Jerry’s idea. In addition Jerry has written books titled: Strange Foods and Extreme Cuisine. On his web site http://www.jerryhopkins.com there is a picture of him eating a deep fried baby frog. I figured he was entitled to call the dining shots. We settled on Hemingway’s Bangkok on Sukhumvit 14, outdoors by the fountain, along with a date and time.

HEMINGWAY'S

Jerry and Will arrived on time. Jerry looking fit in his trademark Hawaiian shirt, well groomed beard, large spectacles and sparking blue eyes. For a man of 78 years, with four wives, two grown children, triple bypass heart surgery, a heart attack and pacemaker in his bio, he looked damn good.

Jerry Hopkins on the left, Will Yaryan, long time friend and former West Coast PR Man for Atlantic Records

Jerry Hopkins with Will Yaryan, a long time friend and former West Coast PR Man for Atlantic Records

All my previous interviews had been via email, so I was a bit of a fish out of water in the company of a career journalist and distinguished author, even if he has described himself as a whore monger and bottom feeder at times. Jerry always maintains a comfortable, if not joyful manner and soon apologized for leaving early on the Night of Noir, explaining that a friend of his had opened a bar nearby and reiterated his feelings for Pinay singers.  Jerry Hopkins likes all kinds of music but not all music.  My temptation, when in the company of a rock n’ roll legend was to talk about sex, drugs and rock n’ roll and I told Jerry so. But I thought I’d be clever, so I asked Jerry, since you are the journalist, what would you talk about with Jerry Hopkins if you were interviewing Jerry? “Sex, drugs, and rock n’ roll, of course.” Jerry said, somewhat incredulously. Now I was feeling better.

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Curiosity may have killed the cat but it has helped Jerry Hopkins see the world. There is a quote attributed to Yogi Berra that goes, “When you see a fork in the road, take it!” Jerry struck me as the kind of guy that would take that fork, every time. In addition, when he comes to the same fork a second time, he’ll go left if he’d previously gone right. Jerry Hopkins would be a fascinating person even without his fascination for transsexuals or lady boys as they are known in Thailand. I was curious where and when that fascination began. As Jerry tells it, he was in Hawaii around 1989 when he saw what he described as a vision walking on the other side of the street. Jerry did what Jerry does, he crossed that street and made an introduction to a very “beautiful creature”. They went to a nearby bar. Jerry wanted to know her story, “Well, I was born a boy.”  Jerry then sits up straight to demonstrate how she thrust out her artificial but perfect breasts and told him, “And now, I’m a man!” That relationship remained friends only. But that meeting led to the introduction of another transsexual, Vannessa whom Jerry unashamedly admits to falling in love with and sharing his bed with during those Hawaii years. And oh, by the way, she was a hooker to boot, working the Chinatown beat on the island of Oahu. Jerry told a story about his live-in lover hitch-hiking home and arriving with a large box of donuts in one hand, received from a grateful bakery truck driver as a tip for services rendered and a pair of high heels in the other. It was 6:00 a.m. and Jerry was sipping his morning coffee. If you were looking for Ward and June Cleaver, you’re in the wrong neighborhood or perhaps the wrong galaxy. The whole time Jerry speaks he has a gleam in his blue eyes.

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Jerry Hopkins at Hemingway’s Bangkok, Thailand

There was pretty much no subject Jerry was unwilling to get into, except, perhaps wife talk, but I didn’t really press him on that subject since there was so much else to talk about.  Even his bad experiences, if you can call them that, are memorable. The originally authorized biography to be done of Raquel Welch doesn’t get done when a terse letter arrives from an attorney representing the sex symbol. The biography is never made but you cannot take away all the memories Jerry has of being in Rio de Janeiro with Raquel and being treated like royalty. Another time, Jerry is hit while walking in the crosswalk in those Hawaii years. His injuries are serious. But it is during his convalescence that he decides when he can ambulate again he will go to divorce court, as they had already been to bankruptcy court and start the next chapter in his life, which leads to Bangkok, Thailand.

“Jerry Hopkins’, NO ONE HERE GETS OUT ALIVE sets the standards for rock biographies and Jerry’s just as good in person.” Timothy Hallinan, author of Little Elvises

LittleElvises

Hopkins rock biography, NO ONE HERE GETS OUT ALIVE about the iconic Doors lead singer, Jim Morrison has been translated into at least 16 languages. It was the first rock biography that made it to #1 on the New York Times Best Sellers List. It made the list again when the Oliver Stone movie, The Doors was released in 1991. Those facts are pretty well established. I found it more interesting to learn from Jerry that the first topless bar he ever went to was with The Doors lead man in Los Angeles. Hopkins told me Morrison was nothing like the person the press portrayed him to be. “Jim had read more books than any rock star I had ever met.”  It was Morrison who was the fan of Elvis Presley, more than Jerry and encouraged him to write the biography. One reason the first Elvis biography has a dedication to Jim Morrison, who never lived long enough to see it published. Dead of a heroin overdose in Paris at age twenty-seven.

The Biography of Jim Morrison by Jerry Hopkins

When you get three hours of Jerry’s time, which is what I got at Hemingway’s restaurant in Bangkok, it’s not a matter of getting enough material suitable for print, it’s a question of what the hell am I going to leave out? Trust me, I am leaving out plenty and it is not your typical cutting room floor stuff. It would make most people’s highlight reel. The Groucho meet Lenny story has been written before, when Jerry introduces the famous Marx brother to Lenny Bruce. But perhaps lessor known is Jerry being in the audience when Harpo, the Marx brother who never spoke, grabs a microphone on stage and says to the crowd, “As I was saying …”. What was the response? I ask Jerry. “The place just erupted.” Among the biographies that get discussed but not written by Jerry, in addition to the one of Raquel Welch, is one for the famous rock concert promoter Bill Graham, whom Jerry spoke with about the possibility more than once. Bill died many years later in a 1991 helicopter crash.

In the course of the interview I notice that Jerry Hopkins, the legend, is wearing the same pair of shoes he wore the first two times I saw him at CheckInn99. They are, Blue Suede Shoes. As in the the rock n’ roll standard written by Carl Perkins and recorded by Elvis Presley, among many other rock legends. Jerry Hopkins biographies of Elvis Presley are so closely linked to the musician that in 2007 Jerry was flown in by the Presley estate to participate in Elvis activities at Graceland in Memphis, Tennessee and Honolulu in February, 2013. The shoes Jerry is wearing cannot be a coincidence. How many people do you know who wear blue suede shoes? I mention them to Jerry about two hours into our lunch. “I’ve got the title for this interview, already” I say, pointing under the table, “A Conversation with the Man in The Blue Suede Shoes.” Jerry smiles for the 100th or so time that day and says, “You’re the first one to notice in quite awhile. I like it.”

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If you look up, SEX, DRUGS, and ROCK N ROLL in your Urban Dictionary you’ll read the term is a nickname for the lifestyle of rock stars. You’ll also see that of the three rock examples used, Elvis Presley is #1: Died of a drug overdose. I learned from Jerry Hopkins that Jim Morrison’s drug of choice was alcohol. Jim telling Jerry once, “It’s suicide, one drink at a time.” As for Jerry’s own lifestyle, it has been comfortable. When I alluded to his 2013 interview, WHEN YOU’RE STRANGE in Post Magazine and asked him how much money he did put up his nose over the years, Jerry peered at me over his glasses and said, “Not that much.”

You cannot leave out the time Jerry speaks of a Billy Preston concert to be held on Sunset Boulevard at a club that escapes me at the moment, but don’t worry, Jerry will remember. The concert was to be filmed. To get Billy’s true fans and to create the proper authenticity it was decided to bus in some of the residents of nearby Watts, California. The date was August 3, 1966, just a little over one year after the famous Watts riots, which occurred in the summer of 1965. On the way to the concert Jerry hears, on his car radio, that Lenny Bruce has died. He takes that fork in the road again to Lenny’s house. When he arrives, Lenny is in the bathroom, dead, naked and the police are letting people have a look see, two at a time. The crowd in Lenny’s Hollywood Blvd. home begins to grow. Jerry tells me at that moment he thinks, “It’s time to go to Billy’s concert.” And he went.

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What is Jerry Hopkins working on now, you may be wondering? He is researching a book in which he will profile 25 kathoey (lady boy) sex workers. That should bring a whole new context to the Joe Friday line, “Just the facts, ma’am.”

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Jerry Hopkins also penned a third biography of the King called, Elvis in Hawaii

I’m no psychologist but it seems to me the mentally healthy way to go through life’s journey, is thinking the Hopkins way. Be curious. Ask questions. Cross the road if you see something you’ve never seen before. Stop and see the two-headed cow, if someone takes the time to advertise one. You never know what else you might see for one quarter more? Stand in front of the Fun Zone mirror and enjoy the distortions. Jerry will be careful in his next life, maybe. Having a good time is still important to Jerry Hopkins. The Thailand resident now splits his time between the craziness of Bangkok and the quiet of his family home near the Cambodian border in Surin with his wife, fruit trees, ponds, fish, frogs and many guests. Getting the facts right is also important to Jerry. As it is to every good journalist. Toward the end of my questioning, listening and laughing session, I reported back to Jerry, incorrectly, that I was glad he was having just as good a time, now, as any other time in his life. Jerry looked at me as if I was deaf in one ear, “I said, better!”

That he did. That he did. Who would want to be disagreeable with a gracious legend, anyway?

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Jerry Hopkins in Thailand

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CityLife

This post also ran at Chiang Mai City News on March 6th, 2014 and may be seen there by clicking the banner, above

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KromColor

When we left off the interview with Cambodia’s man in black, Christopher Minko we had gotten into music, social issues and disability sports, particularly his involvement with the Cambodian National Women’s Wheelchair Basketball Team. They are more connected than one would have thought at first. I also left off with a YouTube video of Christopher Minko singing Mango Madness, Monsoon Sadness. In case you missed Part I it is easy to find a number of ways, including using the search box or clicking, Footprints – Latest Posts. For Part II we’ll start off with a Krom video which features the sultry voice of Sophea Chamroeun. You can play it as you read the rest of this interview.

 KC: I’ve just re-read an excellent article about Krom, written by Christopher G. Moore, which he wrote late last year and has been published in two periodicals already called, PAINT IT BLACK. Most recently published in The Advisor and found at:  http://theadvisorcambodia.com/2014/01/paint-black/ . As I’ve stated before I like Christopher’s writing on a number of levels, one of which is he helps me understand and bring attention to subjects that I intuitively know and agree with, but may not have articulated in my mind nearly as well as he does on paper or screen. Here is a quote from that article written by Moore which, as you might be able to tell, greatly influenced my introduction of this interview in Part I:
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“Krom is such a scream from a wounded soul. The lyrics consolidate into a dark pitch blasting our sensibilities in an echo chamber of pain. There is an existential scream and nothing prepares us for it in our cozy world of shopping malls, social media, offices, clubs and homes.” Christopher G. Moore
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I am a fan of noir fiction. I can handle it because, for the most part, I know it is fiction. But the Krom lyrics are not fiction. I know that – you know that. I have enjoyed the songs of Krom many times, even though they made me uncomfortable at times, as I alluded to in Part I. But it is precisely the un-comfortableness that Krom evokes, in some, that makes your message all the more important. Your songs are the antithesis of Pop songs because what you write about, the horrors of child sexual exploitation and human and social injustices are not popular subjects, but they need to be. The worst things being sold in South East Asia are not packets of Chiclets chewing gum by eight year old boys and girls. Why is it important for you to write about and sing about these social injustices? What good has come from your work (musically and in the area of disability awareness) and what more needs to be done – and I speak of the social injustices which you put your time and effort into, particularly those that are occurring in Cambodia, Thailand and the region? 
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CGM&Minko

 Christopher Minko fields a question at the launch of Phnom Penh Noir – Christopher G. Moore is to Minko’s right

CM: Man – you throw them at me hey –  the hardest question comes last – onto it –OK: Firstly –Fact:  Human slavery (labor, sex and other) is at its highest point ever in the history of humanity – that’s a fucking tragedy – some of this I attribute to the horror of unbridled capitalism, particually since the collapse of communism, whereby we now have a world dominated by greed and selfishness, an ever widening gap between the rich and the poor ( which allow even greater exploitation of the poor and) power elites addicted to the worst traits of ego driven madness found in humanity

The sex industry – Nearly every one side steps the issue, they smile about it, joke about it, participate in it and waltz around it– but the blunt truth is this is an industry built on the sale of human flesh as an object of sexuality with exceptionally high profit margins and a high turnover of deaths as the women spiral quickly into a world of dependency on drugs and alcohol to numb the sale of their bodies over and over to aging old men on a daily basis  – let me give you a blatant example using Thailand and CNN – CNN run their well meant ( but naïve) Anti Human slavery campaign – It focuses on sensationalism usually through a Brothel Bust which involves a celebrity and the bust action is filmed – despite all the good intentions CNN fail to point the finger where it needs to be pointed – at the ruling elites of the South east Asian nations that have allowed the industry of sex trading to proliferate and flourish as cold hard profit is at the end of the equation..–Why doesn’t CNN point the finger as it should? – Easy – In the case of Thailand, Thai International Airways spend millions per annum on advertising on CNN so CNN don’t want to upset Thai International along with the Thai ruling elite who own Thai International……….and so it goes………….It’s all interconnected this world wide billion dollar industry of sex trafficking – airlines, hotel chains, tourism PR and so on – all complicit in what can only be described as a major international industry (of human trafficking)reaping huge profits for an elite few despite the human misery imposed on countless women who are nothing more than sex slaves in the final analysis  and usually subservient to a nasty pimp controlling them through a volatile mixture of drugs, alcohol and violence. I am not saying here that hotel chains etc are directly implicated in the sex trade- they are indirect beneficiaries ( accommodation, food etc) – (and may I add – those hotels in the “right locations “know exactly what their clients are up to – no matter how many stars they have….)…However – the real tragedy reveals itself when one sees how mainstream and integrated into society prostitution has become in many SEA nations over the past 5 decades ( I have watched the many many changes in Bangkok since the 1st time I arrived there in 1972) – an industry that flourished during the Vietnam war and was recognized by the ruling masters as a viable ( and very profitable) commercial enterprise where the commercial benefits of a foreign clientele needing to purchase sex was recognized and a subsequent hospitality industry purposefully built around catering for the “sex Tourist” was allowed and supported at the highest of levels. In fact it is publicly recognized that this now mainstream integrated profession provides a significant % of the Cambodian and Thai GDP (sadly Cambodia is following Thailand’s footsteps into the lucrative sex trade industry) – again – no matter how mainstream ( or accepted) this trade has become –One can never ever deny or justify, that behind the scenes, it remains a brutal world of young women and girls forced by poverty and entrapped, enslaved or even kidnapped into a criminally led machine that constantly needs to be fed with new young stock to satisfy the ever growing international appetite for commercial sexual services. This is why I change the text in the final words of the lyrics to Krom song “Down Sukumvit Road/ Where many a body is sold” from using “I’m walking down Sukumvit Road” (singular) to We are all walking down Sukumvit Road (plural) – as truth is we are all walking down these roads as we all allow this horrendous industry of sexual enslavement to exist .and even to, dare I say,…flourish…………as a blind eye continues to be turned….and encouraged

After all, Let’s not bullshit – anyone can take a walk down Sukumvit road and buy a woman ( or man or ladyboy – whatever suits you fancy) – yet the Thai regimes continue to deny that this industry even exists (“Soi Cowboy is just an illusion – remember we believe in ghosts”……….they say….). As I sing in Tango Traffic Tango – these are nations that quite willingly sell their daughters into the sex industry. As nations they are not yet mature enough to confront the tragedy that they impose on their own people – that requires real courage – and real change – unlike the ego and profit driven political charade currently taking place in the streets of Bangkok…

So many observe the Noir, …how many live the Noir I ask ?  – How many can truly acknowledge the brutal reality that 98 % of these women do not want to participate on this trade but have no other choice due to poverty and very often family pressure – often sold by their very own parents as part of the so called “poverty alleviation “process (as many foolishly argue). Again, just take a walk down Sukumvit and look at the numerous  deluded old white boys in their 60’s on a Viagra overdose drinking the morning beer with a scraggy 16 year old girl hanging on their wrinkled arms  – It says it all in its obvious brutality and I want these deluded old fools to hear these Kromsongs in order to make these people feel uncomfortable as uncomfortable they should feel.

And in its own way I can’t deny a morbid philosophical fascination with what I find is the ultimate exercise in nihilism-a nihilistic exercise that involves that most sacred of human entities we call “love”, an existentialist drama that plays itself out every day in thousand of bars, brothels and hotels through SE Asia (and the rest of the world one could say.) – here we find lonely pathetic ancient men looking to purchase romantic love in much younger Asian women yet this love is an unattainable objective as the very women they court are no longer capable of love as the brutality of the process of endlessly selling one’s body has destroyed that women’s ability to genuinely love – a bitter irony if I have ever seen one yet thousands of misguided fools, each year embark, on this fruitless and tragic journey.

Blunt truth is the Krom songs need to be sung and need to be heard and there will be more krom songs that touch on these uncomfortable themes however the reality behind the current tragedy of the sex slavery industry is that these women are not only rendered incapable of love ( ….those cold Sukumvit eyes…), their lives are destroyed including often a very early death

The more we speak out about these injustices the better – in a world that’s gone stark raving mad

What good comes from the work ? / I have devoted a lifetime to the causes of social justice and will continue to do so now focusing on Krom as the main vehicle for this along with maintaining the disability work – Bottom-line is the worlds a shithole in so many ways – you can either try to do some good and effect positive change or you can selfishly turn your back on it all – I just try to do my best with my music and with my disability work and  hopefully achieve some good things in a rather complex world acknowledging life’s horrors and beauties are so intermingled as to be beyond all understanding

In finishing I give you the best example of all that negates many of the bullshit arguments supporting prostitution and the sex trade through a myriad of questionable excuses – Look at Krom and Sophea and Sopheak, the Krom vocalists, who are a brilliant example of what can happen when a 12 year old girl is given educational opportunity rather than being steered down the path towards commercial sexual exploitation – Both Sophea and Sopheak grew up in one of Phnom Penhs most notorious slum / drug prostitution quarters – the legendary White Building-  Yet they managed to avoid the horrors that surrounded them through becoming pupils of the renowned Cambodian Living Arts program and now at the ages of 22 and 23 they are fast becoming internationally recognized musical stars – what I am saying here is that every 12 year old girl deserves a chance of an education and nearly always –chances are they will go onto to lead productive lives as contributing members of their respective communities  – after all – Look what Sophea and Sopheak have achieved… and imagine if all 12 year old girls were given the same educational opportunity……..

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Anya Irmingard Minko. Born in Australia. Raised in Phnom Penh since age two. A third example of what educational opportunity can do.

KC: Thank-you, Christopher Minko for your blunt truth in this most interesting and for me most memorable two-part interview. Keep doing what you’re doing, mate. I hope to see you on a basketball court, at a recording studio, or at a live Krom gig soon. 

Krom albums: Neon Dark / Songs from the Noir are available via ITUNES / CD Baby / AMAZON / SPOTIFY

Krom on You Tube: http://www.youtube.com/user/themekongsessions/videos

Krom on Face book: https://www.facebook.com/KromSong

@Kromsong on Twitter: https://twitter.com/#!/kromsong

Official website: http://www.themekongsessions.com/

CityLife

This interview is also posted at Chiang Mai City News where you can find many Thailand Footprint Blog Posts

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I first became aware of Christopher Minko and the Khmer musicians who make up the band Krom when the lyrics to some of their songs appeared in Phnom Penh Noir (Heaven Lake Press – 2012) edited by Christopher G. Moore. The more you learn about the Minko and Krom story the more you are drawn to it. Christopher Minko was born and raised in the country that rightfully has earned the moniker of, “The Lucky County”, Australia. Music was emphasized at an early age; his mother being a concert pianist. He now lives in what could easily be cast as one of the unluckiest countries, working with people who were not born into fortune but have found ways to make their lives a success, despite enormous obstacles.

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I have long been a fan of lyrics as stand alone works of art, so I was perfectly comfortable with the idea of musical lyrics appearing in a book of noir short stories. I was comfortable with the idea, but the actual lyrics created occasional discomfort. It never occurred to me, at the time, that was part of the Krom message and the Minko plan. Christopher Minko screams what few dare to whisper. Because to whisper his messages would be to acknowledge the existence of a dark abyss not occupying a fictional world but a real one. And that gets many of us, including me, out of our comfort zone. Here is an excerpt from the lyrics of one such song, which can be found on the last two pages of Phnom Penh Noir titled, TANGO TRAFFIC TANGO:

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The cattle class

Of ancient Men

Are greeted with open arms

Welcome to our daughters

We breed them on our farms

Ripe for human trafficking

We sell their innocent charms

Yea, air traffic

Rail traffic

Road traffic

And human trafficking

Where money and sex are king

Yea, human trafficking

Where money and sex are king

So welcome to our daughters

We breed them on our farms

Open up and take them

In your aging sagging arms

Yea, welcome to our daughters

We breed them on our farms

So thank goodness or badness or darkness, or whatever you wish to call it, because somebody or something needs to get us out of our comfort zone more often. One of those people is Christopher Minko, the lead man for the noir band Krom with a Khmer edge, whom I welcome here today for a lengthy two-part interview:

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KC: Christopher Minko, welcome to Thailand Footprint.  I’m an old basketball junkie. And although my playing days are well behind me, I continue to think it is a great game and see the beauty in it. In basketball you have 5 starters. On the court, they need to get along, to be unselfish, to cooperate, and to acknowledge they are part of something bigger than themselves. After the game is over, they can get along together or not. It doesn’t really matter. At the professional level , these are referred to as a one taxi team or a five taxi team.  My question to you is, does the principal apply to bands? Is it necessary to get along with each other after you finish playing or can you play well on stage and then go your separate ways after the gig? Have you played with mostly one taxi bands, five taxi bands or a combination in your career? And finally how would you characterize Krom, on and off the stage?

CM: Kevin – firstly – my appreciation along with  thanks from Krom – it’s a great blog site you are maintaining and we are honoured at the interview – You first question – a tough question indeed – I’ve been  a professional musician a number of times in this rather twisted life of mine to date – The early 80’s were spent playing with cult Australian Band “The Bachelors from Prague” which was without doubt 5 different cabs combined with the folly of egoistical youth – great band but we split when one half wanted to go Tijuana Brass whilst personally I was along the lines of that gentleman deviant Chet Baker (at that time I played both trumpet and guitar) – the split could be slightly compared to the current state of Thai politics insofar that friendships were certainly shattered (not all) –however a violent breakup it wasn’t.

Now Krom – that’s a very different story – believe it or not –as I am nearing 60 years of age – I am now working in the most professional band I have ever worked with – In one way very much a one taxi band – tight ,well rehearsed, disciplined, cohesive and very professional – there are many that say the live shows are even better than the CD’s (we appreciate that compliment…) however there are some very interesting points about Krom that create the unique signature Krom sound. It’s also important to note that both Sophea Chamroeun (Krom co-founder / songwriter and lead vocals) and Sopheak Chamroeun (lead vocals) have studied Cambodian traditional dance and music under the best of masters since they were 12 through the international acclaimed “Cambodian Living Arts Program” plus both are recent graduates of the Royal University of Fine Arts in Phnom Penh – they both have a very professional work ethic and approach to their work with Krom.

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Hey: Can’t forget my good friend and musical colleague, multi-instrumentalist, Jimmy B who is the fourth member of Krom and understands my music better than most.

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So – to Kromthings: Firstly – Let me get this one out of the way before I start – I have little to no time for whiteboy bands or musicians trying to play the music of another culture (in this case Cambodian music) –for  me the resulting sound of white boys playing Khmer music sounds clichéd and tacky plus locals just do it better – that’s just the way it is – and I have a deep love and respect for Khmer music  – therefore, I would never dare, out of respect, to tamper with this remarkable music created by Cambodians – That now said –  Krom is, and always will be, a Phnom Penh based bi-lingual band (Khmer and English) playing original compositions – the key to the original music of Krom is the following formula which is not easy to do from a composers viewpoint as you have to have your ego well under control to allow this to happen with your compositions –  noting also –  once in a while remarkable musical partnerships of unique productivity evolve – such is the relationship between Sophea Chamroeun, the Krom lead vocalist, and I – Sophea seems to just totally understand where I am coming from with the Krom music – however I digress – back to the Krom formula – for 3 years now Kromsongs simply pour out of me (there is a reason for that explained at the end of this answer) – what I do is record the guitar foundations of a Krom song, put it on a memory stick and then hand it to Sophea without saying a word or even  humming a suggested melody riff (this is where one puts the ego in a box and closes the lid) – Sophea goes away and totally on her own creates the Khmer lyrics and vocal melody without any influence whatsoever from me – All I can say is that she has never ever let me (or Krom) down in this regard and I am always  so surprised (and usually very excited) at what  sounds she builds around the delta blues picking of my guitar work and compositions – I use the same principle of respect with our Khmer producer, Sarin Chhuon, who then also adds his own unique Khmer interpretation of the master tapes and at the end you have the rather unique signature sound that is Krom.

I should also mention the social issues that Krom touches on within many of the Krom lyrics with a focus on the ever ongoing tragedy of sexual trafficking and sexually slavery which is prolific in South East Asia along with being nurtured and developed as a major industry by the very corrupt ruling elites of the South East Asian nations who are willing , as I sing in The Kromsong “Tango Traffic Tango” – “to sell their daughters” – sorry – but that’s the harsh brutal (mostly denied) truth about these societies and it needs to be sung about –   that’s simply part of what Krom do.

Sophea and Sopheak, in theier own way, are very courageous individuals and represent the first wave of (dare I say) protest singers or singers of songs of social justice, to come out of Cambodia – interesting development indeed.

Something also of great relevance to Krom is the ongoing Noir related themes  (Kroms debut 2012 album is suitably titled “Songs from the Noir”)– apart from a rather Noir life led, ouch – there are rather dark sides to the Minko story that should remain unspoken for a variety of reasons…(Ah ain’t no saint…)  –  all Krom lyrics are very personal and there is a true (and often very dark) story or seven within all Kromsongs. I should also acknowledge renowned Bangkok based Noir author, Christopher G. Moore, and our ongoing friendship which has resulted in me using words from Christopher’s novels in the Krom song, the Ying and other songs. I believe Christopher Moore should be acknowledged for his lead role in the development of the now internationally recognized and growing creative movement known as South East Asia Noir – Many of us involved in the Noir movement ,including the 2ndgeneration of  Asian Noir writers such as Tom Vater and other recent newcomers, are deeply indebted to Moore for his decades of effort to promote and develop SE Asian Noir as a recognized creative genre.

And noting your Blog site’s title, Thailand Footprint  – allow me to make a personal reference to Thailand:   My wife who came from Thailand and the mother of my now 20 year old daughter passed away 3 years ago – as a result of her death and the associated personal grief, I returned to my musical roots  – out of something so sad (her passing) came Krom – A remarkable woman from Bangkok who left a unique legacy called Krom…………….

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Christopher Minko shown with his beautiful 20 year old daughter

KC:  Thanks for being so candid, Christopher. I expected nothing less. Shifting gears for a moment, talk to me about your role in disability awareness and disability sports in Cambodia.

CM: Ah – the Disability work  – easy answer to that one: “Keeps a man’s feet firmly on the ground and properly humble” – 18 years have been spent working with rural based Cambodians with a Disability via sports and other small scale  socio economic developmental projects based on poverty alleviation –These persons with a Disability are truly inspiring people who put one’s own life very much into a proper less selfish perspective – an ongoing humbling experience whereby I have truly learnt one core rule about life – “we are all disabled” –  (after all – who the hell has the ferkin right to define normality ?). Disability sports are still very embryonic in Cambodia however we have reached great heights over the years, despite the odds, including reaching current No 2 in the world in Volleyball (Men’s – beating Australia, Canada, USA, Korea and everyone else,(except for the goddam Germans – that’s yet to happen but it will – rest assured)

At the moment my disability work focuses on assisting women with a more severe disability (women in wheelchairs) through wheelchair basketball – an exceptional program of women successfully rebuilding their lives through a highly disciplined  – note the word – discipline – No touchy feely bullshit is allowed in our programs – If you don’t pull your weight – we throw you out – this philosophy / methodology works wonders (much to the horror of the horrid politically correct NGO world and their endless fruitless hugging workshops…)…) and we now have 32 highly committed women, 16 of whom will, for the first time ever, represent Cambodia at the Korea 2014 Asia Para games

Most of all – like I said – keeps a bloke very humble…………….probably keep doing this work part time until I die as its simply remarkable work with very dignified people who have so little – yet have so much  – you can see the impact and strength of the women in the photos

In their own odd way, somehow, the disability / social justice work and the music of Krom go beautifully hand in hand

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KC: It’s interesting to me how you stated the disability / social justice work you do in Cambodia and the music of Krom go beautifully together. I can understand how that would be the case. That leads to an idea you and I have discussed before and it seems appropriate to discuss here. That is the possibility of a Goodwill wheelchair basketball game being held in Thailand between the Cambodian women’s team and the Thailand women’s team. Let’s talk about why it is such a good idea. Maybe we can get the ball rolling so to speak to make that happen. And of course a Krom gig in Thailand after the game is over would be doubly nice as well. I can think of so many reasons why a game of sport like that makes sense. But right now a lot of things that don’t make much sense to me are happening in Bangkok. Let’s not talk negative politics, for now, tell me your reasons why a wheelchair basketball game held in Thailand, sometime in 2014, would be a win/win for the two countries no matter what the score may read when the actual game is over?

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CM: Both Krom and the Women’s Wheelchair Project are linked to social justice / poverty alleviation, and a very interesting note: sexual trafficking + sexual abuse are also a common theme – few realize that sexual abuse against Cambodian women with a Disability is 7 times higher than with non disabled women – they are easier to exploit – many of the CNVLD women are survivors of this form of abuse.

Your question / Query is perfect timing

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We all know that Sport can be a  powerful vehicle when it comes  to fostering healing goodwill and harmony amongst nations( and often within a nation for that matter…) one only has to refer to Mr Mandela and his use of sports a as mechanism to heal wounds between black and white south Africans as an excellent example of this . All of us recognize the long and ever ongoing animosity between Thailand and Cambodia so what better way to start the ball rolling than to organize that the Cambodian Women’s wheelchair basketball team go to Thailand – back to the perfect timing of your question – right now I have Cambodia’s first ever National Women’s Wheelchair Basketball team in place (recently selected by international experts) – they have had three coaching tenures under foreign coaches (from OZ and USA)over the past 2 years as part their development however they have never played on an international standard indoor court (polished wood or high tech sports floor surface) – As you know the CNVLD is supported by the ICRC and we do have the funds in place for transporting the team to Thailand and back to Cambodia – what we are looking for is an organization / and – or – individuals who could host such a visit – 15 persons in total – 12 of whom are women with a disability –  and host this group for 4-7 days including identifying and organizing a proper sports venue to train and what would be even better – Is there a Thai Women’s Wheelchair basketball that would like to compete against our team? – we are ready to come – just need to find reliable partners at the Thai end who can assist with the organization / hosting – and it doesn’t matter where in Thailand ! – note – Its essential that the Cambodian team practice on an international standard court before they compete internationally,  for the first time ever, at the Korea Asia Para Games – Oct 2014.  Such a project would be as you say, definite win-win for both nations and one would hope that this would lead to an annual exchange between Thai and Cambodian athletes with a disability including Thai athletes also coming over to Battambang for training and competition sessions with CNVLD athletes– I’ve long wanted this to happen also given my long term and close relationship to both Thailand and Cambodia – 2 nations, that , from all aspects – economically, socially, and culturally –urgently  need to start working closer on a positive level with each other –I’d truly appreciate any assistance your readers may be able to offer with such a potential goodwill visit and value that you have raised this issue – as said – we are ready to roll ! ( ……….and win…)

And – YES –off course, for many personal, historical and other reasons, I would love to see Krom performing in Bangkok – after all many of the Kromsongs emanate from this truly remarkable city and we are honoured that Christopher G Moore has already agreed to MC the historic debut of “Krom in Bangkok” when we get there (hopefully soon)

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KC: A wheelchair basketball game between the two countries with some Krom music afterwards would sure beat the games being played in Bangkok presently and the noise being made, which is not music to anybody’s ears I know.  I’ll make a few phone calls this month myself. We’re going to call it a day here. Part 2 of Thailand Footprint’s Christopher Minko interview will run tomorrow and deal heavily with social justice issues in Cambodia and the region, particularly human trafficking. Christopher Minko doesn’t pull any punches. You may not agree with everything he says, but you better have your facts in order if you plan to disagree. Stay tuned. But until then you can check out Minko and Krom at the links below. To fully appreciate them, they must be listened to. So have a listen to Mango Madness, Monsoon Sadness by Krom on one of their YouTube videos:

Krom albums: Neon Dark / Songs from the Noir are available via ITUNES / CD Baby / AMAZON / SPOTIFY

Krom on You Tube: http://www.youtube.com/user/themekongsessions/videos

Krom on Face book: https://www.facebook.com/KromSong

@Kromsong on Twitter: https://twitter.com/#!/kromsong

Official website: http://www.themekongsessions.com/

CityLife

This interview may also be seen at Chiang Mai City News by clicking the above banner

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