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Posts tagged ‘Chris Coles artist’

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Portrait of Bangkok Noir Poet John Gartland by Chris Coles

Anyone looking for a respite from the lock down city of Bangkok or anywhere in Thailand for that matter, might want to consider the relative tranquility of Phnom Penh, Cambodia on May 31st and June 1, 2014 respectively. On those dates poet noir, John Gartland will be reciting his original poetry. On May 31st he will be part of a lineup that will include the man in black, Christopher Minko and his Khmer vocalists in Krom. John, Christopher and Krom have all been featured here at Thailand Footprint. Perform a simple search to learn more about them if you are not already aware. On June 1, 2014 John and Christopher will both be performing at the renown Meta House in Phnom Penh. Check them out if you are within a 90 mile radius.

John has allowed me to share some of his original poetry here again. Chris Coles has also, once again, permitted his art to be shown here as well. Enjoy the art and poetry wherever they may find you:

Generals

 THE GENERAL in the Bangkok Night by Chris Coles

The Eye:  1

 

Man,  I’m an ex-Private Eye, I can strike a cool pose

while  listening to others’ production-line prose,

self-published  wunderkinds who believe their own hype,

burned-out  actors on valium  bogarting the mike,

tales of drug-hauls and bar girls and crooked police,

and hard-drinking dicks who’ve adopted the east.

Look!  I‘m old-school detective, I’ve seen the whole bag,

Spillane-heads, in  trenchcoats,  Dash Hammett in drag.

Just  a crime-writers’ gig, at the Mambo hotel,

but outside it’s for real, and they’re guilty as hell.

 

THE EYE : 2

It ‘s a crime-writers’ gig, at the Mambo hotel,

where  whorehounds  had partied for fifty odd years.

But  life, like a crime scene’s not all it appears;

the  old  cathouse  is cabaret, now; it’s a fact,

and, under new management,  the riskiest act,

would be squeezing the original mama san’s hand,

which once, like the anthem, could make a room stand,

and left a broad smile on the girls in the band,

at the Mambo Hotel.

Two floors of short-time ghosts,

a locked up beauty shop, and dust;

now pulp-writers  rap about crime here,

and must shoot the fictional breeze on stage.

But, as the Eye on the case, I’ll cut to the chase,

the major heist is on the street,

and  there’s  fresh blood on the page.

 

THE EYE:  3

Bent judges and psychopaths, hustlers and has-beens,

professional  liars, Bangkok is a crime scene.

Hey, I  was  an Eye, wrestled crime for a living,

and  still have a hunch for who’s making a killing.

The patriots and flag sniffers, feeling the force,

play  patsy for billionaires, hit men, and punks,

they’ve  closed down the city and cheered themselves hoarse,

till  the tourists and hookers are packing their trunks.

Man, the hacks know the issue, but no one dares say;

destabilization is sent from upstairs,

since they can’t get joe public to vote the right way.

More generals than doormen, tear-gas everywhere,

there’s gold braid enough here to carpet a whorehouse,

gridlock on the streets, and a coup in the air.

 

Look, I’m just an Eye, with an odd tale to tell,

at a pulp writers’ gig at the Mambo Hotel.

But, outside? It’s for real, pal.

They’re guilty as hell.

You’d better believe it, they’re guilty as hell.

 

John  Gartland

John0531

CIRCUMSTANTIAL EVIDENCE

We have your co-ordinates, and know precisely your destination.

It is election time, and in the street of the plastic surgeons,

posters of men in white uniforms and fixed grins flap in unison.

This is a one way street, and a u-turn invokes serious penalties.

Traffic proceeds at breakneck speed through the great arch of autocracy.

By the pantheon of patriarchs, diseased birds slumber on the frozen plumes

of bronze headgear, mildew eating at ceremonial swords. Stay in lane.

The great highway of charlatans is multi-lane, crowded at all hours

and will bring you invariably to hypocrisy monument, where all roads meet.

One way.  Vendors swarm with incense sticks, crystal meth and dreams,

gold leaf to flatter a glowering idol at the revered corner of errors;

a  bottleneck, as many pilgrims buy merit from the four faced god here;

dead slow as beggars kneel in the road, abandoned to divine protection.

Proceed by the grand plaza of pointless purchases, and slow down for

heavy traffic at narcissus mall, street of six names for your inferior.

You must pass through the groveling gate, temple of the abject loop;

this is street of six titles for your superior, leading to the institute

of impregnable ignorance, graced with a royal charter. Take a right

on the grand drive of distracting flags, to the causeway of embalmed kings.

Go forward to the mall of the eternal flame. At karaoke heaven,

superlative banality may cause your ears to bleed. Accelerate away.

Proceed. Traffic circles perpetually round the academy of harlots;

whores, constantly renewed, wind silk around the sacred trees,

disrobe, and leave a mekong to appease priapic spirits.

You must drive through the emporium of envy and unsatisfied desires,

bypass the chaotic terminus of transsexuals for denial drive,

speed on past Guess Wat buddhist  theme park, en route for meth mall,

where it is always rush hour, and the men at Jamaica corner sell oblivion

in small packs to foreigners, who are ransomed by the tourist police.

Near the fountain of corrupted thought, pass beggar children

fishing for coins and fever in the catfish dark of drains:

at last you are near your destination, on a street of fortune tellers.

Here, gamblers with their cards and severed fingers,

taking pains to keep their face white and uncompromised,

play endlessly, and disregard their loss.

Your tinted windows let you pass unrecognized.

This dusty cul-de-sac is yours.  Abandoned

lottery tickets blow across the nameless street,

and withered wreathes are strewn

about  some broken idol’s feet. It is election time.

New posters of the white and smiling uniforms

wallpaper every space. This final cul-de-sac is yours;

self-hatred and the breath of street dogs, foul upon your face.

 

John Gartland

John0601

 

JG

 For more information about the poems and performance schedule of poet John Gartland go to http://www.johngartland.net or click picture, above.

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I like Chris Coles. The artist and the man. It’s been over 10 years since we first met at a meeting place less than a football field away from Baccara Bar on Soi Cowboy, where James A. Newman, Alasdair McLeod and I recently went to see Chris and his art on Friday the 14th. I wrote a previous piece about Baccara Bar last week partially titled: The Art of Seduction or the Art of the Deal?

ChrisColesDancer

That first meeting occurred because I had stumbled upon the art of Chris Coles on one of his web sites: Chris Coles Gallery Expressionist Art. I found the art interesting a decade ago. I still do, today. I surmised the man painting about the bright lights and big city of Bangkok might be equally interesting. We arranged to meet. When Chris arrived for that initial meeting I was sitting with a group of 5 or 6 guys around a table. I introduced Chris to the others and conversation ensued. Some interesting. Some mundane. It was always lively, to me, when Chris spoke. I remember thinking, “This guy is the smartest guy in the room.” The fact that the room was the outdoor bar at Tilac on Soi Cowboy, which had 50 or more people scattered about, drinking fluids under a polluted Bangkok night sky didn’t matter. Chris talked about his time in California and the movie business. The big budget film, Cutthroat Island, brought him to the Island of Phuket and eventually Bangkok, where the former Maine resident now calls home. Chris is like the carriage horse of a different color in the movie, The Wizard of Oz. Chris Coles pulls his own weight. There is only one of him and he is it.

Painter of the Bangkok Noir

Meetings with Chris are always memorable. There was a mid-day meal at SUDA restaurant years ago where Chris informed me at our lunch table, “You need to buy, VERY THAI.” A book written by Philip Cornwel-Smith and now in its second edition, with additional photographs by John Goss. After we finished eating we walked to the Time Square Building on Sukumvit 12 and went up the escalator to Asia Books on the second floor. That Asia Books store is now gone. But I still own VERY THAI thanks to Chris Coles. It is a great book about everyday popular culture in Thailand.

BlueDancer

Three years ago, Chris Coles had his art shown at Koi Gallery on Sukhumvit 31. An art exhibition called: Color of Day/Color of Night. One half of the gallery was filled with traditional impressionist paintings of trees and flowers. The other side was filled with the large and loud expressionist art of Chris Coles, in the self described style of  Emil Nolde, Otto Dix and George Grosz. Coles’ art made the more favorable impression, on me. Chris was spread pretty thin that evening but still made time for me and I met some interesting people on a hot Bangkok night.

Another time I took my wife to hear Father Joe Maier speak, the American Catholic priest that lives and works in the Klong Toey slums. We had a dinner table reservation. Chris Coles was sitting at the bar in the packed Foreign Correspondent’s Club of Thailand. After Father Maier finished his very entertaining speaking engagement, Chris came over to our table, despite the fact he probably knew over 50% of the people in the large room. He spent thirty minutes talking to my wife about painting, colors, medium, style and art. My wife appreciated it and so did I. She had begun taking art classes at our community college in California. Chris had seen some of her work and shared his experiences and enthusiasm. Memorable table conversation, again.

Chris Coles Painting - 2:00 a.m. Street 51 Phnom Penh Night

Chris Coles Painting – 2:00 a.m. Street 51 Phnom Penh Night

More recently, I was just about to leave the Check Inn 99 in the early hours of the evening on a Sunday, after listening to Jazz for many hours, when in walks Chris Coles carrying one of his large acrylic paintings. Chris stood for awhile, holding the painting, looking for the owner, Chris Catto-Smith. They went and hung the painting and Chris eventually came back and joined our table. This is an image of the painting Chris Coles brought with him on that Bangkok night, which is displayed at Check Inn 99:

Sexy Bar acyrlic 10_8 300dpi

That prompted a call to my wife, “Honey, I’ll be home later than I said. Chris Coles just arrived.” She understood. She likes Chris too. Chris is the kind of friend that will let you know when you have put on an extra 10 pounds. He’s also encouraging – to my wife, to me and to others. As Chris puts it in the video interview with James A. Newman, “You need to bring something to the Bangkok night. And then make something out of it.” I appreciate Chris Coles. I also like and appreciate the fact that he has some critics. Show me a man with critics and I will show you a man with accomplishments.

ChrisColesBaccara

Chris Coles stands next to one of his accomplishments at Baccara Bar in Bangkok, Thailand

Fast forward to Friday the 14th. Our group of four had just finished eating our dinners at Queen Victoria Pub. Big dinners. Bangers and Mash kind of dinners. We were to meet Chris at Baccara on Soi Cowboy. One of three infamous Entertainment Zones catering to foreign tourists and expats living in Bangkok. Someone joked that no one has ever seen Chris eat dinner, which may explain how he maintains his weight better than most in the City of Angels. Chris is not a starving artist, by any means. But he certainly knows how to paint the overweight, contrary and even the ugly side of life. Chris Coles paints Bangkok realities, not American fantasy. Thomas Kinkade he is not. The art made by the Ivy League  graduate and father of an M.I.T grad daughter has been exhibited in at least four countries. His clientele is diverse, ranging from Baccara owner Patrick to people close to the Royal family, well known authors, art collectors and even a blogger or two.

MakeUpGirl

“I like using distortion, sharply contrasting, often rather ugly images, disharmonious colors and a rough technique.” Chris Coles – artist and author of Navigating the Bangkok Noir

CC7

The above Chris Coles painting is not one of the four that hangs in Baccara Bar on Soi Cowboy. It depicts the front porch of Baccara at 2:30 a.m., after Soi Cowboy  has mostly finished being what Chris describes as another, “long, hot, frenzied night.”

Chris Coles was waiting outside when we arrived, at a table in front of Baccara Bar, wearing one of his trademark plaid shirts and Levi 501 jeans. We had permission from the owner, Patrick to photograph inside and videotape outside; we had Chris Coles for a tour guide, he had agreed to a video interview and it was Friday night in Bangkok City. No one was talking politics and no one was complaining.

We went to the second floor of Baccara, where three of Coles’ paintings are showcased. The first floor and second floor of Baccara are quite different in atmosphere. If you have trouble making up your mind where to spend your time you need only look through the glass ceiling or glass floor, depending on your point of view. To get to the second floor one must climb up a spiral staircase, where at the top you will see this Chris Coles painting: [Addendum: fire on 2nd and third floor of Baccara Bar in early May, 2014 destroy three of four Chris Coles paintings – see them here].

Jim and Cris

Author, James A. Newman on the left. Artist, Chris Coles on the Right. Painting of the Bangkok night – center stage at Baccara Bar in Bangkok, Thailand. (Photograph by Alasdair McLeod)

James A. Newman, who writes about the entertainment zones in entertaining fashion interviews Chris Coles on video, in the thick of the Red Night Zone. Sit back and enjoy this revealing segment from the interview put together by Alasdair McLeod. You’ll learn what motivates Chris Coles to paint the Bangkok night, whether he goes looking for his subjects or makes them up at times? The thought behind the atmosphere at Baccara and whether a pulp fiction writer drinks white wine or red? The Bangkok night can be a big nightmare or a big party. But like any good party you are invited to, as Chris Coles suggests, it’s never a bad idea to bring something to it.

You can learn more about Chris Coles and his art at his blog: BANGKOK NOIR – CHRIS COLES EXPRESSIONIST ART IN THE BANGKOK NIGHT

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Can you picture your favorite Thomas Kinkade painting? That was a trick question. Can you picture ANY Thomas Kinkade painting? If you can do either, you’ll need to deviate 180 degrees from where you are to enter the bleak, dark world Jim Algie has painted, with brutal honesty, in his fine collection of short stories, THE PHANTOM LOVER and Other Thrilling Tales of Thailand. (Tuttle Publishing, Singapore 2014). ​The book has been available in Thailand bookstores since the beginning of the year. The Amazon.com release date was February 4, 2014, available in paperback or ebook format.
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The Phantom Lover and Other Thrilling Tales of Thailand by Jim Algie
The Phantom Lover is composed of 9 stories; the shortest being a mere 10 pages about a love affair regarding a male feline temptress with a hair fetish – The Vicious Little Monk. The longest and last is, Tsunami at 113 pages or over 1/3 of the book’s 319 total pages, detailing the devastation – physical and emotional – of the 2004 earthquake and subsequent destructive waves, set in Phuket, Thailand. While the first 8 can  be read in any order, Tsunami is best read last as it uniquely serves as an epilogue, returning many of the previously read characters we have gotten to know in an ambitious, imperfect and entertaining novella-like finale.
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The book starts off well, with a personal favorite: Death Kiss of a King Cobra Show, featuring a Thai snake charmer, Yai. For this dear farang reader Algie’s writing style is refreshing in that he creates believable back stories for the Thai people we may have seen many times but never gotten to know or sadly, made no effort to know. Algie’s prose makes us glad we finally did, whether it is a fictional or semi-true tale – the blanks are filled in beautifully. It came as no surprise to me that the two blurbs on the book are from Thailand’s A List of fictional prose, John Burdett and Christopher G. Moore. Yes, the book has the occasional jar head, bar girl, writer/English teacher that doesn’t stretch the reader’s imagination much, but even they tend to be rougher, tougher and more emotionally intelligent than your standard fare. It is the unique Thai characters, like Yai, that stand out for me in this Haunted Mansion ride of a book.
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The Legendary Nobody, creates a believable character and biography for Thailand’s infamous mass murderer, See Ouey. Mr. Ouey is now famously preserved at the Songkran Niyomsane Forensic Medicine Museum located in Bangkok’s Siriraj Hospital. Another real life character that stands out is found in, Life and Death Sentences. A story about Chaovaret Juruboon, whom Algie memorializes in the beginning as: a rock n’ roller, a drinking buddy and Thailand’s last executioner. Both characters are fascinating based on information anyone could Google but it’s the details, some imagined and some true, filled in by Algie, which gave this reader such an entertaining ride. You may feel nauseated on occasion but you’re glad the ticket stub is in your pocket.
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Algie’s brush strokes include a once innocent bar girl who connived retaliation for all the wrongs inflicted upon her by the sordid, perverse and deviant behavior that exists in the Land of Smiles. It ends badly for one customer. Others describe fruit fornicators, necrophilia jokes, criminal philanthropists, a conflicted photojournalist, an honest but corrupt Bangladeshi human trafficker, and farangs living with their illusions and denials. Or worse yet, not living with them.
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Carl Jung was purported to have said, “Knowing your own darkness is the best method for knowing the darkness of other people.” If true, Jim Algie’s shadow must be pitch black and if not a constant companion a friend he can call upon, when needed. In all that darkness are characters trying to make sense of what appears to be a senseless world, sometimes with sardonic wit, sarcasm and black humor other times with the old reliable’s of kindness and caring coupled with an occasional bout of optimism and faith.
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My nit with Algie’s story telling is that he places some great lines in the narrative that would read well in dialogue. As a result the book is dialogue light. An example in Tsunami, a paragraph starts out with: Big tragedies ask huge questions. It concludes with more narrative around a crackling campfire scene about: God and country, death, democracy and in the end what it all came back to was good friends, family loyalties, and the simple dignity of doing an honest day’s work for an honest day’s pay.  Those are moments that convey good values but where I would have liked to have seen more conversation going on as you can read later in the story when Wade confronts a gloomy Yves:
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 “No offense, bud, but I’m kinda getting the feeling that you’ve, uh … lost it.”
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The exchanges from that point on are great at recapping the effects and affects a mass tragedy like the Tsunami of 2004 had on hundreds of thousands of people. Of all the stories my favorite was, The Obituary for the Kaosan Road Outlaws and Imposters. It recalled a time on Khaosan Road in Bangkok, before it became trendy, when people still used pay phones. The back packers, adventurers and petty crooks who lived there found the living was cheap but not always easy. The 47 page story is a ripper of a yarn about the lives and inhabitants of what is now mostly a bygone era in Bangkok. The scene at the airport depicting the commission of an international felony in a pre-technology boarding pass scam is superb. You feel the fear as you read about the knocking knees.
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The Phantom Lover and Other Thrilling Tales of Thailand has something for almost everybody. If you’re the one with the Thomas Kinkade painting above your couch you’ll probably want to give it a pass. But if your tastes run closer to an oil painting by an artist with a severed ear, a Henry Miller watercolor, a Dali pen and ink, a Chris Coles acrylic or even a thumb-tacked poster of Dogs Playing Poker, these thrilling tales are framed beautifully and make for a great read.
For more information about Jim Algie and his books go to: www.jimalgie.club
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