Thailand Footprint: The People, Things, Literature, and Music of Thailand and the Region

Posts by Kevin Cummings

Poke Raferty Series by Timothy Hallinan

The Poke Rafferty series is five [ the sixth to be published in November, 2014 by SoHo Crime http://www.sohocrime.com ] critically acclaimed Bangkok thrillers written by author, Timothy Hallinan whom divides his time among a Southern California beach community, Bangkok and a slightly less idyllic seaside town on the Gulf of Thailand, where he gets a lot of good writing done. Tim frequents other parts of South East Asia as well.

Tim is also the author of the erudite private eye, Simeon Grist, 6 novel mystery series and the more recent, Junior Bender, 3 novel mystery series featuring a wise-cracking investigator whom has a second job as a successful burglar. Both series are set in L.A. On his web site http://www.timothyhallinan.com you will find an entire section for writers on FINISH YOUR NOVEL. Here are Tim’s own words regarding the background for the Poke Rafferty series: “Poke Rafferty had written two rough travel books – Looking for Trouble in the Philippines and Looking for Trouble in Indonesia – when he arrived in Thailand to write the next one.

And Thailand – especially Bangkok – changed his life forever.

Now married to the former “queen” of the Patpong bars, Rose, with whom he’s adopted a daughter off the sidewalks, Miaow, Rafferty finds family life in Bangkok to be more of an adventure than rough travel ever was. But, after years of travel, he’s also in the process of finding his heart and his personal true North.

The books are thrillers, but they’re also the continuing story of a hand-made family trying to stay together against all the odds.”

It is the patchwork nuclear family setting, for me, which sets the Poke series apart from much of the other available Bangkok based fiction. That and the brilliant prose of Timothy Hallinan.

Timothy Hallinan comes from a rock n’ roll background. He wrote songs and played in a rock band while a University student growing up in California. His songs were recorded by many well known artists, including the platinum selling group, BREAD, which placed 13 songs on The Billboard 100 between 1970 and 1977. My sister owned every album BREAD ever made.

bread essentials
You need not read the Poke Rafferty series in order. They stand alone perfectly well. I first read, THE QUEEN of PATPONG, which is fourth in sequence, followed by BREATHING WATER, (3rd) FEAR ARTIST, (5th) A NAIL THROUGH THE HEART (1st) and THE FOURTH WATCHER (2nd), which I picked up periodically but never finished. Do not make anything of that fact. I can say the same about all series of novels by any of my favorite authors and Timothy Hallinan is one of my favorite authors.

TimHallinan

Author Timothy Hallinan signs copies of his Poke Rafferty Bangkok Thriller Series while in Cambodia (Photo by Andy Brouwer)

In A NAIL THROUGH THE HEART, Poke wants to marry ex-bar girl Rose and adopt then 8 years old and street wise, street-girl, Miaow. Hallinan gets across the bleakness of Bangkok with ample doses of humor. And it works.

In BREATHING WATER the family unit is properly set. Poke, now married to Rose and daughter Miaow make a threesome you care about. Hallinan does first class antagonists; in this thriller he is Pan, once a two-bit thug that used his considerable skills, good and evil, to turn himself into a Thai billionaire. Poke wins the right to pen Pan’s biography in a poker game with the help of his returning character friend, Thai policeman Arthit. Poke and his family always seems to be in jeopardy and Poke loves his family. We know the drill by now, but it is a good drill with Hallinan’s prose leading the way. The Thai power elite are after Poke because they don’t want the book written. In a scene we’ve seen many times before, an abduction, complete with hood adorned in the back seat of a limo, with heavy’s on each side, takes place. Only this time, it’s Hallinan style:

Rafferty says, “I’d be frightened if you hadn’t put the hood on.”

“That just means we’re not going to kill you. It doesn’t mean we’re not going to beat the shit out of you.”

“When I’m frightened, I shut up,” Rafferty says.

After a moment of silence, the man to his right chuckles.

“You chuckled, too,” Rafferty says. “Did somebody teach all you guys to chuckle?”

“The chuckle,” the man to his right says, “is a perfectly acceptable form of laughter.”

Besides humor, Hallinan paints the desperation of the Bangkok street people as well as the perks of the privileged class in Thai society to perfection.

QUEEN of PATPONG was nominated for an Edgar Award by the Mystery Writers of America in 2011 and rightfully so. It is a great novel with great writing.

EdgarAwardMWA

Anyone who characterizes THE QUEEN of PATPONG as a bar girl book diminishes it, intentionally or unintentionally – it is not that. What it is, is what astute readers look for, a good story with conflict all over the place and resolution where it is needed most. Rose is as strong a female character as you will find in any book and she literally and figuratively takes center stage in this, my all time favorite Bangkok thriller. For those who might think Hallinan glamorizes the Bangkok night, sample this as Poke listens to his wife speak among a group and think again:

I let one of the men rename me. A man gave me the name Rose – you didn’t know that, did you, Poke?…He said, this man, he said that Kwan was too hard to remember, even though it’s a good name and it means ‘spirit,’ and that the rose was the queen of flowers and I was the queen of Patpong.” She laughs, rough as a cough. “The queen of Patpong. A kingdom of whores and viruses. Death with a smile.”

What makes THE QUEEN OF PATPONG unique is the second section, which is turned over to the female characters, completely, in a revealing and compulsive read. Hallinan does what all great writers do, he makes you want to turn the page to learn of the journey Rose took from the lanky, innocent girl teased in her village, to the most coveted prostitute in all of the Patpong bars, before Poke walks into her life.

We also see Miaow’s progress; she’s smart, a good student, still ballsy in all the right ways and is preparing for her upcoming part in her school play, the Tempest. I am leery when author’s throw Shakespeare in the back story – not being a fan myself – but it worked. Once again Poke’s family is at risk – this time at the hands of a serial killer. A man from Rose’s past. And once again Poke needs the help of his policeman friend, Arthit. The boat scene is more than good enough, it’s brilliant and the cinematic and entirely believable Thai justice ending is as satisfying as a reader gets.

Fear Artist

The fifth in the series is, THE FEAR ARTIST. Published just 9 months after the flood that hit Bangkok in 2011. Hallinan allows the flood to soak in just enough as a perfect back-story, which impressed me because the original draft must have been dry.

Bangkok Flood 2011
The Bangkok Flood of 2011

The book opens with Poke backing out of a paint store with cans of paint in his hands, Apricot Cream and Urban Decay are the colors of choice, in a busy Bangkok neighborhood, when a bleeding man, shot, crumples into Poke’s life knocking them both to the ground. Before he dies he whispers, “Helene Ekersley. Cheyenne.” Poke gets brought in for questioning, conveniently forgetting the dying utterance, which irks the wrong people in power. As a result Poke is framed for a crime he couldn’t possibly have done. But this is Thailand. As Poke states, “Bangkok may not be glamorous…but it’s got lurid down cold.” Poke must send Rose and Miaow up country, make a roof top escape from the police when they visit him a second time and find the real killer. The absence of Rose and Miaow is filled in by the re-appearance of Poke’s 1/2 sister, Ming Li, she of 17 years-old going on 30.

There is some excellent writing in THE FEAR ARTIST. Characters and setting are superb. The evil and greedy antagonist, Murphy is an ex-soldier who has to cover up past atrocities in a Viet Nam War era life by committing more atrocities in real time. But it’s Murphy’s daughter, Treasure who is the mesmerizing one. Hallinan’s cynical humor gets a perfect character to play with in Janos, an otherwise forgettable Russian spy leftover from the cold-war, that Hallinan makes memorable for all of his forgettable qualities. There are many that have expressed THE FEAR ARTIST to be their favorite in the series. And for good reasons. Hallinan makes valid political commentary about the U.S. Phoenix Program, the troubles in the south of Thailand and good old American greed. But I still give the nod to THE QUEEN of PATPONG because Rose and Miaow are absent so much here and by now, lets face it, they are family to the reader.

I recently received an advance readers copy of Poke #6 tentatively titled, FOR THE DEAD. All I will say at this time for current and future fans of Poke Rafferty and his makeshift family is, the best is yet to come.

In case you don’t recall BREAD or their songs, think of Hallinan as more of a Brian Wilson of, The Beach Boys type of writer. Pick up anything written by Timothy Hallinan and chances are you’ll be pickin’ up good vibrations. Read any of the Poke Rafferty series with the statuesque Rose and find out how she started working on the brain of Poke with just one look. Rose now runs a successful cleaning business but the former go go dancer and current tall Thai beauty is capable of giving so much more than just excitations to any reader.

BrianWilson
Singer and songwriter, Brian Wilson

An inference can be drawn from the above quote by Rose that no one person should ever decree the title of King or Queen of anything on anyone. No attempt will be made to do so here. But if there was to be a contest for King of the Bangkok Fiction Hill, Timothy Hallinan would be on any respectable invitation list. Bangkok fiction has a diverse cast of authors and titles from which to choose. You may prefer the Rolling Stones’ 19th NERVOUS BREAKDOWN over the Beatles, SHE CAME INTO THE BATHROOM WINDOW. Tom Waits’ THE PIANO HAS BEEN DRINKING (Not Me) over Tom Petty’s, MARY JANE’S LAST DANCE. Bob Dylan’s LAY, LADY LAY or Sam the Sham’s LITTLE RED RIDING HOOD? Neil Young’s CINNAMON GIRL or Jackson Browne’s REDNECK FRIEND? I look for good writing, wherever I can find it.

beatlesPA0204_468x322
The Fab Four

And great writing is what you will find in the Poke Rafferty series by Timothy Hallinan, which just so happens to take place in Bangkok. And some of those moments are spent in bars. The Thais have an expression – they even have to use the English word when they say it because they have no Thai equivalent.  That’s how jai yen yen they are. It is, “Don’t be serious.” Put another way: It’s only Bangkok Fiction … but I like it.

Elvis Impersonators

 Accept no imitations

___________________________________________________________________________

NOVELS in the Poke Rafferty Series by Timothy Hallinan

Also available at good Independent Book Shops

14 Comments

slash-and-burn

On Thursday, Thailand time, Thailand Footprint will be posting a long review/essay on SoHo Crime published author Timothy Hallinan’s critically acclaimed Poke Rafferty series, which is set in Bangkok, Thailand. All five novels: A Nail Through the Heart; The Fourth Watcher; Breathing Water; The Queen of Patpong and The Fear Artist. In addition, I will have news regarding the 6th in the series, due to be published in February, 2014. SoHo Crime is also the publisher of Colin Cotterill’s latest: SLASH AND BURN. The long-awaited final installment in his bestselling mystery series starring the inimitable Lao national coroner, Dr. Siri. Take a look at http://www.sohocrime.com until Thursday … 

Leave a comment

Kicking DogsLarge

This comic crime fiction novel, set in Bangkok, has a hilarious beginning, which includes an unexpected swim in the Chao Phraya river, an ending that had me guessing wrong on a major “who done it” plot point and a middle chock-full of Thai cultural nuances that any expat living in Thailand will find useful today. KICKING DOGS is unlike any Bangkok based book which I have read and I have read a lot. Colorful characters, insightful prose and laugh out loud moments. My only critique is that the protagonist is a journalist, which is never my favorite choice and the book reads at times like a journal – heavy on narrative and light on dialogue. I prefer a balance – you may not care. Set in the boom times of the pre-economic crisis Thailand of the 1990’s, the story-line holds up well today.

It’s a bit of an odd couple story, with Jack the journalist and the City of Bangkok trying to figure out how to live with each other. Hot headed Jack having the tougher time making the needed adjustments.

The journey takes you up close and personal into the lives of two-bit hustlers and crooks who may have a second job working the third-shift as a bargain basement assassin. Also featured is your better than average despicable heavyweight champ of a villain, who goes by the name of Fat Fat. An intriguing, often comic look into the underbelly world of Thailand, where rank has its privilege and if you have no ranking you haven’t got much. Lessons to be learned are plentiful, the one that springs to mind is: “Neither a borrower nor a lender be.” A first-time read for me of author Collin Piprell. I would definitely seek out others. A fun, quick read at 240 pages.
———————————————————————————————————–
Visit Collin Piprell, a man for the age at his excellent and entertaining website http://www.collinpiprell.com

Collin, who has also written under the pseudonym Ham Fiske, has written a number of other books including:

Yawn (a thriller) 2000
Bangkok Old Hand (1993, a collection of non-fiction essays)
Diving in Thailand (1993)
National Parks of Thailand (1991)
Thailand’s Coral Reefs (1993)
Thailand: The Kingdom Beneath the Sea (1991)

Collin has a futuristic novel completed. Look for publishing updates here and at his website.

12 Comments

This interview by James Austin Farrell of CRIME WAVES PRESS publisher, Tom Vater first ran in Chiang Mai City News on December 23rd, 2012. Thailand Footprint is grateful to Chiang Mai City News and James Austin Farrell for their expressed permission to re-run the interview. If you’ve never checked out Chiang Mai City News, please do so at the link below. I recently returned from a 10 day trip to Chiang Mai. This is a valuable web-site both before and during a northern trip. It is loaded with great information:
http://www.chiangmaicitynews.com

CrimeWavePress

INTERVIEW OF TOM VATER by JAMES AUSTIN FARRELL BEGINS:

Who are you and what do you do?

I am an Asia based writer and journalist. I was born in Germany, studied in the UK, played in punk rock bands across Europe in the late 80s and early 90s and have since lived in India and Thailand.

Since 1997, my feature articles have been published widely around the world – from The Times, The Guardian, Marie Claire to Penthouse. I am currently the Daily Telegraph’s Bangkok expert.

I have written numerous books on Asian themes in both German and English, most notably Sacred Skin (www.sacredskinthailand.com), an illustrated book on Thailand’s sacred tattoos, with my wife, photographer Aroon Thaewchatturat (www.aroonthaew.com).

In spring 2013, Burmese Light, an illustrated book by Hans Kemp will be published by Visionary World (HK), for which I wrote the text. Also in 2013, an illustrated book by Lonely Planet photographer Kraig Lieb titled Cambodia will be out and I wrote the text for that as well.

I am the author of two crime novels – The Devil’s Road to Kathmandu, first published in 2005, now republished by Crime Wave Press in 2012 and out in Spanish with Editorial Xplora in December. My second novel The Cambodian Book of the Dead, first published with Crime Wave Press in Thailand and Cambodia in 2012, will be out worldwide with Exhibit A in June 2013.

I also write documentary screenplays with my brother, director Marc Eberle (marceberle.com), most notably The Most Secret Place on Earth (2008), a film about the CIA in Laos in the 60s which has been broadcast in 25 countries.

Basically, I am constantly flat out with new projects and am very grateful that so many talented artists want to work with me. My working life and much of my social life revolves around a kind of little family of people working together in Asia.

Can you tells us a little about Crimewave Press?

Crime Wave Press (www.crimewavepress.com) is Asia’s only English language crime fiction imprint. Founded by acclaimed publisher and photographer Hans Kemp and myself in October 2012, the company is based in HK and has published four titles so far, covering thrillers set in The Philippines, Nepal, Thailand and Cambodia.

CWP currently publishes ebooks and PODs and will move into print in summer 2013. Hans Kemp and I are positively surprised by the reaction to our output. We have already sold foreign rights for two titles and are talking to a film director about optioning a third. We are looking for writers and full manuscripts. Submission guidelines can be found on our website.

CambodianBookoftheDead

What are you working on these days?

I am working on a follow-up to The Cambodian Book of the Dead, featuring German detective Maier solving cases around Asia. UK publisher Exhibit A will publish this book, as yet untitled, in early 2014.

Tells us about your book The Cambodia Book of the Dead?

In 2001, German Detective Maier travels to Cambodia, a country re-emerging from a half century of war, genocide, famine and cultural collapse, to find the heir to a Hamburg coffee empire.

His search for the young coffee magnate leads into the darkest corners of the country’s history and back in time, through the communist revolution to the White Spider, a Nazi war criminal who hides amongst the detritus of another nation’s collapse and reigns over an ancient Khmer temple deep in the jungles of Cambodia.

Maier, captured and imprisoned, is forced into the worst job of his life – he is to write the biography of the White Spider, a tale of mass murder that reaches from the Cambodian Killing Fields back to Europe’s concentration camps – or die.

Crime Wave Press have sold world-wide rights to The Cambodian Book of the Dead to British crime imprint Exhibit A, though CWP have retained English language rights for Thailand and Cambodia.

Have you written more?

I enjoy a modest publishing career in Germany: I have published a travelogue on the source of the Ganges and a book on Thailand’s minorities, the only such title in German. My wife Aroon has published three photo books in Germany, all on Asian subjects, all with my accompanying text.

Did I see you with Nick Cave recently? What was that about?

My wife Aroon and I were invited to present Sacred Skin at the UBUD Writers and Readers Festival in Bali in October. We also launched Crime Wave Press at the festival. Nick Cave and John Pilger were the main draw at UBUD and we got the chance to hang out with both (separately, mind you) and talk books, politics, music, life on the road etc. Good times.

What the most popular titles from CWP?

Our current bestsellers are The Devil’s Road to Kathmandu and Mindfulness and Murder.

The Cambodian Book of the Dead was doing well but since signing over the rights to Exhibit A we have taken it off the net. It is still available in print in Thailand and Cambodia.

Crime Wave Press will offer the high seas thriller Dead Sea by Sam Lopez for free as an e-book download from amazon on December 22,23 and 24.

DeadSeaSamLopez
What were you doing before you sat down to answer these questions?

I was having breakfast in the Z Hotel, a small palace in Puri, Orissa, on the east coast of India. It’s a great place to get a lot of writing done.

How does a writer in this part of the world go about being published for the first time?

Hm, I am not sure I am a typical example. When I arrived in SE Asia in 2001, I had already been published in newspapers in India and Nepal, had done a writing stint for Rough Guides and had a film writing credit under my belt (The Greatest Show on Earth, a documentary about the Maha Kumbh Mela, the largest gathering of people on the planet for GEO TV and arte) I arrived with a job as script writer and production manager for a film about Angkor, produced for German TV, which was shot in 2002. This helped me get work with regional magazines. Initially, I worked for Bangkok publications including the seminal Farang Magazine, then moved on to The Far Eastern Economic Review and The South China Morning Post. I had an agent in London who got me into international publications and finally I managed to get a foothold in the British broadsheets.

My advice to up and coming writers: Write, write, write, a thousand words a day at least. Don’t do free work for too long. Pitch, pitch, pitch, to newspapers and magazines. Don’t get disheartened by rejections. Work in many disciplines, one is not enough these days – learn other skills beyond writing, like photography, film-making, radio etc. Take constructive advice to heart. Doubt your abilities but never admit your doubts to the sharks out there. Read a lot. Develop a signature style. Don’t go after the money from the start. If you are committed and have a long breath, it will come. Don’t drink too much and don’t take too much drugs. Don’t forget to fall in love and live as much as your body and mind can sustain.

Can you talk about the SE ASIA literary market? Do books travel? Is there a particular genre coming from this part of the world, i.e. noir?

I don’t know about genres in this part of the world. Southeast Asian countries barely have a literary scene and good novels by local writers are scarce. The novel is a western construct. The target group for CWP is clearly a western audience, whether expatriates residing in Asian countries or readers back in Europe, the US or Oz. Though we are grateful for every Asian reader.

Travelers and tourists tend to read a limited list of international bestsellers. Titles such as Wild Swans or Shantaram keep cropping up in these lists. These books clearly travel, they can be found on every second hand bookshelf between Goa and Bangkok.

The Bangkok literary scene is pretty checkered. The locally published deluge of bar girl novels is dreadful. There has been some noise about Asian Noir with veteran author Christopher Moore publishing two anthologies (Bangkok Noir and Phnom Penh Noir). John Burdett and Colin Cotterill write decent crime novels (neither writer fits into the Noir genre, mind you). Crime Wave Press does not limit its publications to Noir, our output would be too thin. We also publish whodunits, thrillers, spy novels and any other variations on the crime genre.

DevilsRoadtoKathmandu
Cambodian writers, as HS Thompson once said, have gotten so close to the edge they have fallen off. Does Cambodia attract writers? Why? Why do so many people go ‘off the rails’ in Cambodia?

Haha. Cambodia is a place lots of white men go to roll around in it. ‘It’ being the country’s pervasive culture of impunity. Thanks to a corrupt and venal government, the nasty realpolitik by western donor nations and the Chinese, a bloated and self-serving NGO industry and a tragic history that would take too long to explain in the context of this interview, Cambodia is a place where everyone can do anything, so long as they have dollars in their pockets. That attracts a lot of people who call themselves writers before they have written anything of substance. Most promptly go off into the deep end and lose their pencils at the first sign of a couple of bar girls and a vial of crack. There are some notable exceptions.

Tells us what we’ve got to look forward to for the future from CWP?

2013 will be the year for Crime Wave Press!!! We have two new titles lined up for the spring. First up is Sister Suicide, the sequel to Mindfulness and Murder by Nick Wilgus, a second Father Ananda title, which follows the Bangkok-based Buddhist monk turned sleuth to the Thai hinterland to solve a crime involving the seven Buddhist hells. Following that we will publish a really exciting action packed thriller spanning 50 years and a trail of greed and crime that reaches from Japan to Thailand and Burma. We hope to have published about a dozen titles by the end of 2013.

What should we do if we visit Cambodia?

Pray.

No, in all seriousness, the immense suffering endured by the Cambodian people has not stopped. While the genocide is long gone and the civil war ended in 1997, Cambodians have few rights and the government is made up of former Khmer Rouge. Democracy is a sham. Evictions and political assassinations are common place, activists are routinely threatened and the police shoot to kill.

Tourists rarely see any of this. If you visit Cambodia, go and see the Angkor temples of course, which you will share with millions of package tourists from around the world. If you are seriously interested in the Angkor era, do the main temples in three days and then head to more remote sites like Banteay Chhmar or Koh Ker where you might have some temple corners to yourself.

Beyond the remnants of the Khmer empire, check out the coast around Kampot and Kep – wonderful colonial architecture and some nice beaches – and the highlands of Mondulkiri and Ratanakiri, home to the country’s indigenous minorities. For the latter, don’t wait too long, the military/government/local tycoon/ foreign company nexus are raping these parts of the country as quickly as possible and the wonderful forests, crammed with wildlife we know little about, will soon be gone.

The Cambodian people are resilient, great to hang out with, super friendly and very funky. Head out to the villages and you will be welcomed with open arms. And you might get to eat tarantulas.

What shouldn’t we do?

Have sex with children, smoke crack, hob-nob with politicians, drink with police, support moronic NGO projects, drive without a helmet. Common sense stuff really.

_________________________________________________________________________________________________________________________________

Update: Burmese Light is now available around the world. burmese-light-cover-front-large

Many thanks again to James Austin Farrell of Chiang Mai City News for graciously allowing the reproduction of this interview with CRIME WAVE PRESS publisher, Tom Vater. I enjoyed it almost as much as if I was there.

CityLifeChiangMaiBannerAd

Leave a comment

ChrisColesTomVater

Artist Chris Coles talks with Author Tom Vater at Bangkok Fiction Night of Noir

(Photo by Aroon Vater)

Last night I was one of the lucky ones in attendance at Bangkok Fiction Night of Noir, held at the historic CheckInn99. It was a night of music, poetry, art, literature readings and a sense of community. A village forming, however briefly, in a city of 12 million souls. The evening started off with British author James A. Newman, the organizer of the event, reading from the works of American author and essayist William S. Burroughs and also his own novel, Bangkok City in an emotional and appropriate kickoff. Bangkok is a city where anything is possible and this evening became possible because of James A. Newman. Good on him.NightofNoirLineup—————————————————————————-

NIGHT OF NOIR lineup: Artist, Chris Coles, author & publisher, Tom Vater, author James A. Newman, poet, John Gartland, author and essayist Christopher G. Moore, author Dean Barrett

Noir poet John Gartland, from England, was next with readings from his very dark and noir poetry. Of the entire lineup I was least familiar with John’s work and I came away thoroughly entertained. It was a thoughtful and at times brutally accurate read. I found myself nodding in agreement many times with his dark assessment of Bangkok and often smiling wryly at the accuracy of it all. Next up was Bangkok legend, playwright, poet and author Dean Barrett with a flawless and insightful reading from his novel, IDENTITY THEFT: ALZHEIMER’S IN AMERICA, SEX IN THAILAND, TANGLES OF THE MIND. Dean is multi-talented and if my 58 year old eyes were not lying there were times the 70 year old Barrett did not have to depend on his glasses. Amazing. Dean is a role model and mentor to many in Bangkok and not just writers. Always witty, always gracious. My only nit with Dean is he carries his very good quality of self deprecation a little too far. I have a theory that sometimes there is a direct relationship between talent and self deprecation and Dean supports my theory. Next up was writer and CRIME WAVE PRESS publisher, Tom Vater. In all honesty, I am much more familiar with how Tom has lived his life than his books. But I can tell you this man knows how to live. Do yourself a favor and Google Tom Vater or CRIME WAVE PRESS if you are not familiar with either. You will not be bored. A very interesting man leading a very interesting life, whom I had the pleasure of meeting for the first time. I’m looking forward to reading and reviewing as many titles from CRIME WAVE PRESS as I can in 2013.

Bangkok Noir Author CGM

Portrait of Bangkok author Christopher G. Moore by Chris Coles

Bangkok artist and fellow Californian transplant, Chris Coles is another who is never boring. Chris is a former film maker, a student and master of the visual arts. Chris never disappoints with his presentations. A slide show of his many colorful and vibrant paintings was shown as he was at the microphone. He spoke of the noir movement in Bangkok and summed it up brilliantly in two words: density and velocity. As a professional summarizer of written documents I don’t think you can do any better in summarizing the attraction of the Bangkok night. They are worth repeating: density and velocity. That is the Bangkok night. That is what brings 14 million people on airplanes to Thailand every year. Chris had the pleasure of introducing well known Bangkok author, Christopher G. Moore. Christopher read an excerpt from his short story REUNION from Phnom Penh Noir, about helping a Cambodian refugee get to America, a story where Christopher relayed to the audience there are times when an author meets a character he wrote about – sometimes they are real; sometimes they had been a work of fiction that becomes real. An interesting and entirely believable admission. The story concluded with these powerful words: I don’t believe in capital punishment except for one offense: fucking with people’s hopes and dreams. Put those bastards against the nearest wall and shoot them.

And so this was how BANGKOK FICTION NIGHT OF NOIR concluded. But not really. It was just the beginning of more memorable moments as Chris Catto-Smith, the owner/manager of CheckInn 99 came to the microphone and gave a brief history of the historic cabaret club. Books were bought, books were signed, many pictures were taken and a five piece band, including three female Pinay cabaret singers, which has been performing there for 14 consecutive years, named Music of the Heart, came on . They were great. James A. Newman was great for conceiving the night. It was a night to remember. As Dean Barrett so eloquently pointed out when he thanked the audience for coming out, in Bangkok you have a lot of choices. For anybody who attended BANGKOK FICTION NIGHT of NOIR, it was a very good choice. People drifted out around midnight. The night was still young in Bangkok.

8 Comments

nightofnoir

Tomorrow night is a literary night of noir at the historic CheckInn99 on Sukhumvit Road in Bangkok, Thailand. Formally known as The Copa where celebrities such as Bob Hope were known to attend over 50 years ago. I stole this poster off Tom Vater’s web site of Crime Wave Press. I’ve never met Tom but I’m guessing he won’t mind.

For those looking for something a little different, for those whose first inclination is to say, “no”, say “yes” instead. It’s almost always better. Unless you end up in Jail. In which case, I have a disclaimer around here somewhere …

Leave a comment

I am not a writer. And yet I like to write. I find no incongruity to this. I am not a breatharian yet I enjoy breathing; I like eating an assortment of vegetables but I am not a vegetarian. I could go on. A writer might. How do I define, writer? It’s a good question. Certainly I have made a fair amount of money through the written word. But so have English teachers, accident investigators and email spammers. Writer, to me, conjures up images of a manly man like Ernest Hemingway or a Dapper Dan like F. Scott Fitzgerald. In the fictional world, James Caen comes to mind in the movie, MISERY adapted from a book written by another genuine writer, Stephen King. On the female fictional side, Angela Lansbury from the television series MURDER SHE WROTE is my stereotypical writer, no matter how inappropriate that may be.

I have learned, as I so often have, that I am wrong. There is no such thing as a stereotypical writer or novelist. No generalizations can be made. At least not with any accuracy. Except for one. Writers write, creatively.  And they do it with such regularity that books appear,  electronic ones or old fashioned ones. And I applaud them for doing this. The world is a much better place because of creative writers. A world without creative writers is a world I would not want to live in. Given the choice between creative physical art or the creative thought provoking words of a writer, well, I’ve always been a words guy. That would be an easy call to make.

I like writers. Certainly, not all writers. As Jerry Lewis was purported to have said many years ago, before the internet, before Snopes, “Percentage wise there are just as many assholes in wheelchairs as any other segment of the population.” And if Jerry never said that, well, he should have. My point is that being a writer doesn’t make you a nice person any more than being in a wheelchair for life makes you a nice person. But I have drawn some inferences from the writers I have known and spent some time with, both in California and in Thailand.  Writers like to live.  Writers enjoy living.  More than your average Joe or Jane.  And I have a theory as to why that is. Writers are just a wee bit more aware of one inevitability. One certainty. We die. We all die. Writers, accountants, lawyers, dentists and trust fund aging hippies  alike. The writer has just figured out, earlier than most, that we should make the moments count. Be mindful. Be aware. To paraphrase that old country western song: writers were mindful before mindfulness was cool.

I like to think I have gleaned many good qualities from writers. And the great part about that is, you don’t have to do any writing to do that. Here is what I have learned. Your results may vary. Observation. Writers have helped me observe the world, better. And what a fascinating world we have to watch. Empathy. Writers need this. Writers have this. Encouragement. One writer in California once told me, “The world needs more encouragement.” He had tracked me down in the parking lot of a gym, just to tell me he thought I had worked out hard that day. He didn’t have to do that. But now I try and be more encouraging.  Generosity. Writers are people after all. But these people, that call themselves writers, have been very generous to me. With their time, their advice, their books and their humor.  And I wanted to take this opportunity to thank each and every one of them, here. Well, except for the assholes. You know who you are.

5 Comments

Image

usually stick with Christopher G. Moore’s Bangkok based fiction. This time he took me to unfamiliar territory: Cambodia at the end of the Pol Pot era, as a country attempts to transition from atrocities and civil war. I am glad I went along for the ride. Moore blends history, colorful characters, current events and descriptive narrative among the best of the Asian thriller and crime fiction writers. While ZERO HOUR was written a few years back the story-line and back story hold up well today and many need to be told and re-told. One story has been back in the news lately- an unresolved jewel theft by a Thai national of a Saudi Prince and the subsequent real life murders that remain a political embarrassment, as well as a real life mystery that fictional detective Vincent Calvino could probably solve in two weeks time. I like Moore’s writing on a number of levels, mostly because he helps me know characters I would like to meet – Colonel Prat and Calvino being just two – as well as enabling me to get to know places and people I prefer to avoid, but in the comfort of my home I find them all a pleasure. Moore does a great job in Zero Hour of depicting two places I hope to never be – a seedy lakeside brothel, which doubles as a murder scene and the inside of a real life Cambodian prison, where life is not just cheap to some it’s worthless. Moore seeks out societies at crossroads and he finds one in Cambodia, but in the process he tells the reader a ripper of a yarn with the added bonus of making us realize how unlucky some people are or conversely how lucky we are. Also worth reading is his Phnom Penh Noir anthology, published just recently – a series of short stories, many of them dealing with the inhumanity of the Pol Pot era.

Leave a comment